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When
Robert Mac, creator of the Globesity Festival,called me from Australia
and asked if I would be interested in being the artistic director of a
performance festival about over-consumption, featuring artists who
created work on that subject while undertaking a ten day juice fast, I
had just completed a 15-day raw juice and vegetable fast.
Naturally, I said yes.
The Globesity Festival comes to New York at a time when even the arts have been beset by consumerism and careerism.
Amazingly, at the same time when nearly every graduating student in the
arts -be it dance, theatre, music, literature or film -wants to have an
‘activist’ element in their work addressing social issues,
we find ourselves in what the great German philosopher Hannah Arendt
referred to as “the last stage of consumerism in the arts”.
The great Jack Smith, source of everything considered experimental in
American theatre, asked the question in 1979: “Could art ever be
useful?”
In 2007, we are asking that question again as we set up a laboratory
for the week of October 22-28 to present the inaugural experience of
The Globesity Festival -a chance for seekers, activists, artists and
just plain folks to come together in a spirit of camaraderie, a chance
to experience what nearly everyone who ever came to New York wants to
experience: Creative Community.
I have always maintained that New York became the great cultural
capital that it has been because it was composed of one-third artists
to two-thirds people who live an artistic life -people who will never
get on stage, write a book or make a film, but without whom the world
of artistic expression could not exist. They are the audience, the
witnesses, and it is they who foster the environment in which important
art movements are created.
My assistant artistic director Michael Premo and I have been ‘on
the same page’ and have resonated with each others' artistic and
social values from the first 5 minutes we met. We have worked
long and hard to create a festival that brings some of New York’s
most important artists to comment on the problems and issues of
Globesity, and we have found new, young voices who will bring us their
points of view as well.
We are excited to announce that the great Dick Gregory will be
Globesity Festival’s keynote speaker. Perhaps the original
activist artist, Dick Gregory’s commitment to social issues while
forging new forms of entertainment communication is without peer. Not
only is Dick Gregory a phenomenal comedian who influenced every
comedian that followed, he is also legendary for his use of fasting for
spiritual insight and protest. See our section on Dick Gregory.
What is fasting? A good question! Fasting is whenever we abstain from
some food or activity for a period of time. A fast may be total or
partial. Fasting is practiced in many religious traditions and
spiritual practices.
For our purposes at the Globesity Festival, a fast is undertaken to
break our relationship with the ordinary and everyday, giving our
artists a chance to reflect and create new material from a new vantage
point. We invite you to join us, from near and far. There
are many forms of fasting. Face it, if you eat Big Macs at
McDonald’s everyday and stop for 2 weeks, that is a fast.
More than ever, we need community and we need solutions. That is what
we are after with the Globesity Festival, and we want you to join us.
XXOO
Penny Arcade
Penny Arcade Festival Director
Penny
Arcade is one of the most influential theatre artists in the world and
her work has influenced countless generations of theatre artists
seeking to bring their own voice to the stage. Penny is one of
America's most prolific, articulate and outspoken independent artists.
She is a tireless artist’s advocate and an outspoken advocate of
free speech and all the quintessential democratic American values.
Penny
Arcade's contributions to American experimental theatre began in her
teens and she has left her mark on every decade from the 60's to the
2000's and many of her theatrical devices have passed into
narrative mainstream theater.
Penny
Arcade AKA Susana Ventura debuted at 17 with John Vaccaro's explosive
Playhouse of the Ridiculous. Born to immigrant Italians in the factory
town of New Britain, Connecticut, she wrote her first play at 14 while
incarcerated at Sacred Heart Academy for Wayward Girls. A teenage
runaway, she joined Vaccaro’s Playhouse of the Ridiculous, the
seminal, glam and glitter, rock and roll, political theater that
influenced everyone from Charles Ludlam to Hair to Rocky Horror
Picture Show to David Bowie.
At 18
Penny Arcade became a teenage superstar for Andy Warhol's factory
featured in the Morrissey/Warhol film "Women In Revolt" now available
in video. Penny Arcade worked with and collaborated with many of the
greats of American experimental theatre including Vaccaro, Jack Smith,
Taylor Mead, Charles Ludlam, H.M.Koutoukas and Tom O'Horgan among
others.
HM
Koutoukas referes to Ms Arcade as “The Little Sister of The
Avante-garde” because of her long apprenticeship to the major
architects of the counter culture and experiemental theater.
After
her 15 year apprenticeship in the work of other major theatre makers,
Arcade began creating her own solo work in 1982 and becoming one of the
most original voices in contemporaery thetare and one of a handful of
New York artists who defined performance art in the 80’s and
90’s. She began creating group work in 1989. She has written 10
full length performance plays, numerous solo shows as well as poems,
spoken word pieces and essays.
"BITCH
!DYKE! FAGHAG! WHORE!' Her 1990 sex and censorship show began as
an audit for a solo fellowship from the National Endowment for the Arts
during the Helms-NEA censorship crisis in 1990. The initial four
day run at Performance Space 122 segued into two months which by
public demand went on to a year long run (1992-1993) at the legendary
Village Gate. "B!D!F!W!" a blend of political humanism, freedom of
expression and erotic dancing, has toured the world twice as both an
international festival and commercial hit in 22 cities around the world
including two tours of Australia and left an international burlesque
movement in it’s wake that still looks to Arcade as the master of
combining political content and erotica, never stooping to the vulgar
or sensationalistic. Penny Arcade’s theatre writing has been
commissioned by Austria, England, Brazil, and Mexico.
In the
early 90's Quentin Crisp publicly named Ms Arcade as his soul mate and
anima figure in the London Telegraph Magazine. Their friendship then
become professional as Ms Arcade undertook a series of interviews with
the legendary Edwardian raconteur and they performed together many
times. Penny Arcade created "The Last Will and Testament Of
Quentin Crisp"in 1996 which they performed together up to his death in
1999.
Penny
Arcade has a long history as a Lower East Side activist beginning in
her teens working with Abby Hoffman in the Yippies at the Lower
Eastside Suicide Hotline (1967) and all the way to the present having
spent August 1996 thru January of 1998 hosting a 3 hour radio show for
the Lower Eastside pirate radio station Steal this Radio 88.7. She
continues to lend her artistry to numerous socio- political endeavors.
In
1989, shortly after the death of theatre great Jack Smith, Penny Arcade
created and formed the Jack Smith Archive, fulfilling Mr Smith’s
death bed directive. The Plaster Foundation, the complete archive of Mr
Smith’s work was founded in the mid 90’s with
the help of Village Voice film critic J. Hoberman.
In 1997 she formed The Sheyla Baykal Archive to preserve and promote the work of Lower Eastside Photographer Sheyla Baykal.
In 1999
Penny Arcade along with her collaborator, Steve Zehentner formed The
Lower East Side Biography Project, A much emulated video oral history
project that broadcasts every Wednesday at 10:30 pm on channel 34 Time
/Warner as well as on RCN . It also cybercasts at the same time
at www.mnn.org
In
Spring of 2008 Semiotext Press will publish a partial collection of
Penny Arcade's scripts along with the first published book of the
photographs of Sheyla Baykal.
Visit Penny's website at www.pennyarcade.tv
For more information on her work or to contact her .
Michael Premo Assistant Festival Director
Michael
Premo comes to Globesity with a life long focus of collaborating on and
devising socially responsible performance projects that seek to enact
or inspire positive progressive social change. In Cape Town,
South Africa he co-devised, with a group of township artists, Living with HIV. . . an
interactive drama commissioned by the University of Cape
Town. The play toured the townships of the Western Cape,
exploring community developed strategies to living with HIV.
The play sought to help in the effort to de-stigmatize myths,
developing and calling to attention positive solutions to dealing with
being infected and the sensitive subject of helping those in the
community that may be infected. With the Company One ensemble
Michael performed Before My Eyes, a play that staged conversations with Israeli Soldiers and unsuccessful Palestinian suicide bombers.
Michael is a founding board member of Direct Arts,
an ensemble company founded to develop and produce theater projects and
films, which explore the intersection of history, culture and mythos
between different ethnic and social groups. He is also a member
of the Hip-Hop Theater Festival.
This spring Michael was honored to become a facilitator for StoryCorps,
a national oral history project recording in sound stories of everyday
people across the county. It is a unique project celebrating the
brilliance of humanity and the monumental importance of what might
otherwise seem mundane.
Michael studied performance and ethnography at Northeastern University and the University of Cape Town.
Robert Mac Creator / Producer
Creator/Producer Robert Mac Invites The Globesity Artists to consider their bodies to be an environmental story.
Robert Mac is a filmmaker, writer and art instigator. His breakthrough
Documentary work was The Small Poppies, commissioned by the Australian
Broadcasting Commission, Robert shadowed Academy Award Winning actor
Geoffrey Rush onto the stage at the Dublin Theater festival and created
a mesmerising documentary about the creation and staging of a play
about childhood.
All
of Robert’s projects involve deep interest in events that use original
theatricality to promote insight and community harmony. In his career
beginnings an avatar of the short film (Sundance, Montreal, Hamburg)
his working scale has expanded to marathon events. He is the founder
and director of the world’s first “writing marathon” Once Upon A Deadline, and has created and produced an annual Yogathon, a 24-hour vigil
and official world peace day event aimed at harnessing spiritual
concentration to empathise with the homeless and quell the urge for
conflict. The Globesity Festival is his latest creation where theatre
and Holistic body science is the arena for education and human insight.
TERMS OF USE
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