ABOUT
festival
submissions

BIOS
  When Robert Mac, creator of the Globesity Festival,called me from Australia and asked if I would be interested in being the artistic director of a performance festival about over-consumption, featuring artists who created work on that subject while undertaking a ten day juice fast, I had just completed a 15-day raw juice and vegetable fast.

Naturally, I said yes.

The Globesity Festival comes to New York at a time when even the arts have been beset by consumerism and careerism.

Amazingly, at the same time when nearly every graduating student in the arts -be it dance, theatre, music, literature or film -wants to have an ‘activist’ element in their work addressing social issues, we find ourselves in what the great German philosopher Hannah Arendt referred to as “the last stage of consumerism in the arts”.

The great Jack Smith, source of everything considered experimental in American theatre, asked the question in 1979: “Could art ever be useful?”

In 2007, we are asking that question again as we set up a laboratory for the week of October 22-28 to present the inaugural experience of The Globesity Festival -a chance for seekers, activists, artists and just plain folks to come together in a spirit of camaraderie, a chance to experience what nearly everyone who ever came to New York wants to experience: Creative Community.

I have always maintained that New York became the great cultural capital that it has been because it was composed of one-third artists to two-thirds people who live an artistic life -people who will never get on stage, write a book or make a film, but without whom the world of artistic expression could not exist. They are the audience, the witnesses, and it is they who foster the environment in which important art movements are created.

My assistant artistic director Michael Premo and I have been ‘on the same page’ and have resonated with each others' artistic and social values from the first 5 minutes we met.  We have worked long and hard to create a festival that brings some of New York’s most important artists to comment on the problems and issues of Globesity, and we have found new, young voices who will bring us their points of view as well.

We are excited to announce that the great Dick Gregory will be Globesity Festival’s keynote speaker.  Perhaps the original activist artist, Dick Gregory’s commitment to social issues while forging new forms of entertainment communication is without peer. Not only is Dick Gregory a phenomenal comedian who influenced every comedian that followed, he is also legendary for his use of fasting for spiritual insight and protest.  See our section on Dick Gregory.

What is fasting? A good question! Fasting is whenever we abstain from some food or activity for a period of time. A fast may be total or partial. Fasting is practiced in many religious traditions and spiritual practices.

For our purposes at the Globesity Festival, a fast is undertaken to break our relationship with the ordinary and everyday, giving our artists a chance to reflect and create new material from a new vantage point.  We invite you to join us, from near and far.  There are many forms of fasting. Face it, if you eat Big Macs at McDonald’s everyday and stop for 2 weeks, that is a fast.

More than ever, we need community and we need solutions. That is what we are after with the Globesity Festival, and we want you to join us.

XXOO

Penny Arcade

Penny Arcade Festival Director

Penny Arcade is one of the most influential theatre artists in the world and her work has influenced countless generations of theatre artists seeking to bring their own voice to the stage. Penny  is one of America's most prolific, articulate and outspoken independent artists. She is a tireless artist’s advocate and an outspoken advocate of free speech and all the quintessential  democratic American values.

Penny Arcade's contributions to American experimental theatre began in her teens and she has left her mark on every decade from the 60's to the 2000's and  many of her theatrical devices have passed into narrative mainstream theater.

Penny Arcade AKA Susana Ventura debuted at 17 with John Vaccaro's explosive Playhouse of the Ridiculous. Born to immigrant Italians in the factory town of New Britain, Connecticut, she wrote her first play at 14 while incarcerated at Sacred Heart Academy for Wayward Girls. A teenage runaway, she joined Vaccaro’s Playhouse of the Ridiculous, the seminal, glam and glitter, rock and roll, political theater that influenced everyone  from Charles Ludlam to Hair to Rocky Horror Picture Show to David Bowie.

At 18 Penny Arcade became a teenage superstar for Andy Warhol's factory  featured in the Morrissey/Warhol film "Women In Revolt" now available in video. Penny Arcade worked with and collaborated with many of the greats of American experimental theatre including Vaccaro, Jack Smith, Taylor Mead, Charles Ludlam, H.M.Koutoukas and Tom O'Horgan among others.

HM Koutoukas referes to Ms Arcade as “The Little Sister of The Avante-garde” because of her long apprenticeship to the major architects of the counter culture and experiemental  theater.

After her 15 year apprenticeship in the work of other major theatre makers, Arcade began creating her own solo work in 1982 and becoming one of the most original voices in contemporaery thetare and one of a handful of New York artists who defined performance art in the 80’s and 90’s. She began creating group work in 1989. She has written 10 full length performance plays, numerous solo shows as well as poems, spoken word pieces and essays.

"BITCH !DYKE! FAGHAG! WHORE!' Her 1990 sex and censorship  show began as an audit for a solo fellowship from the National Endowment for the Arts during the Helms-NEA  censorship crisis in 1990. The initial four day run at Performance Space 122  segued into two months which by public demand went on to a year long run (1992-1993) at the legendary Village Gate. "B!D!F!W!" a blend of political humanism, freedom of expression and erotic dancing, has toured the world twice as both an international festival and commercial hit in 22 cities around the world including two tours of Australia and left an international burlesque movement in it’s wake that still looks to Arcade as the master of combining political content and erotica, never stooping to the vulgar or sensationalistic. Penny Arcade’s theatre writing has been commissioned by Austria, England, Brazil, and Mexico.

In the early 90's Quentin Crisp publicly named Ms Arcade as his soul mate and anima figure in the London Telegraph Magazine. Their friendship then become professional as Ms Arcade undertook a series of interviews with the legendary Edwardian raconteur and they performed together many times. Penny Arcade created  "The Last Will and Testament Of Quentin Crisp"in 1996 which they performed together up to his death in 1999.

Penny Arcade has a long history as a Lower East Side activist beginning in her teens working with Abby Hoffman in the Yippies at the Lower Eastside Suicide Hotline (1967) and all the way to the present having spent August 1996 thru January of 1998 hosting a 3 hour radio show for the Lower Eastside pirate radio station Steal this Radio 88.7. She continues to lend her artistry to numerous socio- political endeavors.

In  1989, shortly after the death of theatre great Jack Smith, Penny Arcade created and formed the Jack Smith Archive, fulfilling Mr Smith’s death bed directive. The Plaster Foundation, the complete archive of Mr Smith’s work  was founded in the mid 90’s  with the help of Village Voice film critic J. Hoberman.
In 1997 she formed The Sheyla Baykal Archive to preserve and promote the work of Lower Eastside Photographer Sheyla Baykal.

In 1999 Penny Arcade along with her collaborator, Steve Zehentner formed The Lower East Side Biography Project, A much emulated video oral history project that broadcasts every Wednesday at 10:30 pm on channel 34 Time /Warner as well as on RCN . It also cybercasts at the same time  at www.mnn.org

In Spring of 2008 Semiotext Press will publish a partial collection of Penny Arcade's scripts along with the first published book of the photographs of Sheyla Baykal.

Visit Penny's website at www.pennyarcade.tv
For more information on her work or to contact her .

Michael Premo Assistant Festival Director

Michael Premo comes to Globesity with a life long focus of collaborating on and devising socially responsible performance projects that seek to enact or inspire positive progressive social change.  In Cape Town, South Africa he co-devised, with a group of township artists, Living with HIV. . . an interactive drama commissioned by the  University of Cape Town.  The play toured the townships of the Western Cape, exploring community developed strategies to living with HIV.  The  play sought to help in the effort to de-stigmatize myths, developing and calling to attention positive solutions to dealing with being infected and the sensitive subject of helping those in the community that may be infected.  With the Company One ensemble Michael performed Before My Eyes, a play that staged conversations with Israeli Soldiers and unsuccessful Palestinian suicide bombers.

Michael is a founding board member of Direct Arts, an ensemble company founded to develop and produce theater projects and films, which explore the intersection of history, culture and mythos between different ethnic and social groups.  He is also a member of the Hip-Hop Theater Festival. 

This spring Michael was honored to become a facilitator for StoryCorps, a national oral history project recording in sound stories of everyday people across the county.  It is a unique project celebrating the brilliance of humanity and the monumental importance of what might otherwise seem mundane.   

Michael studied performance and  ethnography at Northeastern University and the University of Cape Town.

Robert Mac Creator / Producer

Creator/Producer Robert Mac Invites The Globesity Artists to consider their bodies to be an environmental story.

Robert Mac is a filmmaker, writer and art instigator. His breakthrough
Documentary work was The Small Poppies, commissioned by the Australian Broadcasting Commission,  Robert  shadowed Academy Award Winning actor Geoffrey Rush onto the stage at the Dublin Theater festival and created a mesmerising documentary about the creation and staging of a play about childhood.

All of Robert’s projects involve deep interest in events that use original theatricality to promote insight and community harmony. In his career beginnings an avatar of the short film (Sundance, Montreal, Hamburg) his working scale has expanded to marathon events. He is the founder and director of the world’s first “writing marathon” Once Upon A Deadline, and has created and produced an annual Yogathon, a 24-hour vigil and official world peace day event aimed at harnessing spiritual concentration to empathise with the homeless and quell the urge for conflict. The Globesity Festival is his latest creation where theatre and Holistic body science is the arena for education and human insight.

TERMS OF USE

 
 


THEATER FOR THE NEW CITY / 155 FIRST AVENUE / NEW YORK NY / 10009

info@theglobesityfestival.org

Festival Director PENNY ARCADE Assistant Festival Director MICHAEL PREMO
Founding Patron JOE CROSS Founding Creator/Producer ROBERT MAC ©2007 All Rights Reserved

ABOUT | FESTIVAL | SUBMISSIONS | TERMS OF USE


\\